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Ole Frahm / Torsten Michaelsen, Hamburg, with Miklós Erhardt, Budapest, and Negator, Hamburg: Fight against recuperation: the timeliness of Situationist critique. A discussion

In the field of art, to refer to the Situationists is internationally in vogue. Why? What is disregarded in these references? What can the appropriation of Situationist practice and theory mean today, if it is not restricted to the art activities but apprehends those to legitimate all other actions?

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